![]() The ship itself is sliced and thrown about by powerful waves, leading the viewer's gaze towards the threatening rocks. It is painted in cold tones, underscoring the dramatic sense of loss and numbness. One of the most striking features of Miranda is the storm that rages in the background. Although Waterhouse's work is known for embracing unconventional artistic methods, he was often inspired by other art forms to create his works. Waterhouse used the most tragic lines from the play to create a series of unique scenes, and in doing so, he created a painting that conveys the desperation and hopelessness of Miranda's character. Sotheby’s.The paintings of Miranda The Tempest are not only beautiful, but they also offer hope that the play's tragic events will have a happy ending. John William Waterhouse, Miranda, 1875, private collection. Despite this, it illustrates the exquisite and confidence skill of the artist. In addition, the ship, sliced in two by powerful waves, leads our eyes towards the threatening rocks.Īn earlier version of Miranda, painted by Waterhouse in 1875, shows a very conventional and delicate atmosphere. The picture has been painted in cold tones, underlining the sense of loss and numbness. Meanwhile the depiction of the storm produces a frightening scene in the background. William Shakespeare, The Tempest, Act 1, Scene 2. It should the good ship so have swallow’d and (…)” Have sunk the sea within the earth, or e’er Oh! The cry did knockĪgainst my very heart. Who had, no doubt, some noble creatures in her,ĭash’d all to pieces. With those that I saw suffer: a brave vessel, The sky, it seems, would pour down stinking pitch,īut that the sea, mounting to th’ welkin’s cheek, Put the wild waters in this roar, allay them. “ If by your art, my dearest father, you have Specifically, she holds her hand to her heart to express the pain and despair she is suffering at the loss of life. In the painting we can’t see Miranda’s face, yet we can feel her sorrow. John William Waterhouse, Miranda, 1916, private collection. Waterhouse has chosen the most tragic and dramatic moment of the drama – the shipwreck. Despite this, she is depicted throughout the drama with concern and intensity. In the play Miranda is the only female character to appear on stage. In particular, he tended to focus ladies who were experiencing a revelation. Waterhouse had deserted classical myths as topics in favour of medieval and Renaissance narratives. Significantly, it became one of Waterhouse’s most recognized works and the most popular illustration of the play. This painting, created in 1916 is an example of this, being a representation of The Tempest by William Shakespeare. Hence they wanted to refer their work to the classical literature of Britain’s past. Sotheby’s.Ī sense of patriotism, nurtured through the poetry of Tennyson and the work of Shakespeare, stimulated many British artists, including Waterhouse. ![]() Accordingly, many of his artworks were inspired by ancient Greek mythology, Arthurian legends, and literature. John William Waterhouse (1849–1917) was an English painter who embraced the Pre-Raphaelite Brotherhood’s style and subject matter. This happened as a result of having been exiled from Milan by Prospero’s power-seeking brother, Antonio. She has been detained on an island, together with her father, Prospero, for almost twelve years. Miranda, from William Shakespeare’s The Tempest is the subject of a painting by John William Waterhouse.
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